Sep 23 2011

Space Witch

She lounges, nude, in the long window seat, long legs draped over velvet cushions threaded with silver.  The stars and gas giants, ripped from galactic tranquility, rumble and flare as her ship saunters by.  She loves their two-fold reaction of shock (the insect has turned the attention of our immensely old celestial bodies) and frustration (we are mired in our vacuums and cannot pursue this novelty) while her dark ship drifts past.

Amorous liaisons between witches and planets have not happened for millennia, but she is old enough to remember the spurious actions that caused the whole arrangement to collapse (a girl could go from “beloved” to “insect” at the speed of light).  She still has her edge, and a little cosmic tease will serve these neglectful hunks of rock right.

She sorts her herbs and cards by the window as though she does not notice the straining of the stars, as though she has not done this to random solar systems for thousands of years.  It never gets old, this stoking of fire in dead space rock and clean fire.  She has seventy light-years before she reaches Galaxy A1689-zD1, where all things Terra are much in demand.   She might as well have a little fun while she passes the space-time.

(Massive Attack–Butterfly Caught)

————-
This posted in honor of the startling news today that scientists at CERN discovered neutrinos that move faster than the speed of light!  Perhaps the space witch is just a little sub-atomic particle traversing the universe.

This song was inspired by Massive Attack’s “Butterfly Caught.”  The band’s sound changed significantly over the years, and I’ve liked nearly everything they’ve put out.  Their album Mezzanine defined the musical sound of the late 90′s for me (not the washed-out alt-rock the radio stations were playing). I wasn’t sure how to categorize this one, but settled on electronica for lack of a better descriptor.

One of the interesting aspects of writing this blog is that I listen, write, and then post the video–which I’ve usually never seen–here.  This one is super creepy even though not a lot happens, and it was completely new to me.  Subtle, like the whole 100th Window CD it was on.


Apr 28 2011

The Tulpa (and a new game)

I’ve been asking some of my favorite creatives–artists, musicians, writers, entrepreneurs, etc–to recommend some of their favorite otherworldly tunes to me. Today’s story was inspired by Oingo Boingo‘s “Insanity.”  More on the song, recommended by musician Dave Goff (aka DRBIOR) after this story.

I spent 1917 in a series of anonymous seaside cottages, bunking with proper socialites so that I might press their gowns and wash their teacups.  The daughters of London lords taught me to summon Baphomet, and I taught them to hex each other’s tea.  They had not been sent to learn such low-brow spellcraft, but the convenience of sympathetic magic wormed its way into their drawing room studies.
I think of those girls now, in their white frocks and tidy pompadours, and wonder if any survived.  You must forgive their mothers and fathers for sending them to such ungodly work.  You must consider the times, in which young women of means had only marriage to aspire to, and the War had already devoured so many eligible bachelors.  A certain kind of free-thinking parent might indeed send a bright young woman to learn the ways of the occult, ensuring her independence and safety by way of the will and the mind only.  And of those noble qualities, they were greatly blessed.

And a certain kind of school mistress might indeed take pity on an orphan girl and wish to save her from the indignities of the streets and the men that congregate there.  She might, from good intent and kindness, give the child a too-large maid’s uniform and a bed of straw in the lean-to, seeing nothing but the girl’s sweetness and little of the girl’s cunning, created by generations of village witchery.

To say I did not mean to create it would be untrue.  To say I did not intend its effects would be more accurate.  If a young lady spoke snidely to me (a regular occurrence,as any Irish girl from a Catholic parish can tell you), I would turn a quick hex as my great-aunt had taught me.  Then fearfully thinking of my parish priest and his dire warnings, I would throw the ugly thing in the corner of our bunk house where its bright red light would dwindle as I watched.

The fact of the dying embers of vengeance and spite congregating and growing under the floorboards … well, if I had attended the lectures with the students, perhaps I would have guarded against this.  Instead, I scrubbed their garments outside the open windows of their classrooms, catching half-phrases and incomplete diatribes.

What did it do, I wonder, all those years?  As I grew into a bewitching woman with ever-increasing power and none of the restraints of nobility, what was it doing?  Did it travel to far-off lands to feed off the mad and the shell-shocked?  Did it don a fringed dress and long beads and dance the Charleston, driving starlets to suicide and automobile accidents?  Did it stalk the refugees of the Dust Bowl, blowing the Black Blizzards into the minds of poor farmers’ wives?

Did it dare enter Germany during its dark years?  France?  Spain?

I cannot bring myself to think of it.  I know its excesses fed me, though I did not understand at the time and thought my allure and financial power to be wholly self-made.  And in a way, I was correct, for I made the tulpa.

Away for so many decades, the tulpa has returned to its creator.  It lurks behind the grandfather clock, ostensibly doing little but ‘breathing” in my earshot.  It does this deliberately and unnecessarily, as it has no organs or breathing apparatus.  I tell myself that it waits for a command, and that I’ve grown so old that I don’t recall what I must tell it, my indecision dooming it to an eternity of bated breath.  It is a pitiable creature, but there is nothing to be done, save to ignore it.

Over the past several months, those young ladies at the summer  cottages troubled me.  I had a mind to use the power of this “Information Age” to look them up, old as I am.  I stopped after the fifth girl I could recall.  None had survived past age forty.  One of particular beauty and cruelty had died in a madhouse as it caught fire.  If others are still alive, I do not want to know of them.

The surf crashes below my house, the sky a permanent gray.  I have learned, of course, that there is no God, only spirits more good than evil.  They will not speak to me now, not with that creature constantly near.  Therefore, I have no one to confess to, and no one to absolve me.  I have thought of suicide, but my tulpa’s presence feeds my vitality and I start to wonder if perhaps I cannot die, and if this is the eternal state of my existence.

And if that is true, without direction, we will remain together in this fearful stasis forever.

I must give it a task.  Cautiously, I offer innocuous but challenging activities.  Its breathing does not change. It does not respond until out of desperation I shout, “Make a proud and lovely girl hang herself!  There!  Is that what you want, you loathsome thing? To feed on the vibrant and healthy?”

Yes, my mistress.  Thank you, my mistress.

***


Those of you who aren’t familiar with Oingo Boingo might recognize the influence of the band’s singer, Danny Elfman, in several movie music scores, such as “The Nightmare Before Christmas.” Check out this video–while I think the radio edit totally mangled the song (a black magic song if I ever heard one), the creepy video successfully depicts the festering underbelly* of religion, politics, and social norms. I watched it after writing “The Tulpa” and was  taken aback by the girls in white, who match up with the my story.  Stop-motion video just lends itself to creepiness.  Watch it here:

Hard to know how to classify this song.  Oingo Boingo‘s often known as a New Wave band, but this is practically gothic.  If you like the song, download it in the Otherworldly Music Store.

Thanks, Dave, for this recommendation.  To check out Dave’s  equally-weird music (recorded under DRBIOR), visit www.drbior.com.  Dave also runs Gestalt Digital, which provides digital distribution for independent musicians.  Contact him at www.gestaltdigital.com if you want to get your music into iTunes, Amazon, etc.  even if you don’t have a CD pressed.

*Ok, I just wanted to use the word “underbelly” in a sentence.  Makes you inadvertently picture the rest of the beast, doesn’t it?  What’s it look like to you?  I just saw a disgusting-yet-fascinating live nautilus at an aquarium last week, so I’m voting for Chthulu.

Photo by Splarks, art “The Vampire” is by Philip Burne-Jones, 1897


Mar 6 2011

The Indulgence of Childhood

It was your childhood.

Listen to us and cease weeping. You were granted one small indulgence because you wanted to know love. Initially we refused your request, but your persistence moved us. We froze everything that you were, your magnificence and brilliance put on hold so you could sip her kisses and feast on the gleam of her passionate eye. This small human meant more to you than all else. Very well, we said. We pitied you. Out here, you are very powerful. Very big. Love is as irrelevant here as hyphens and party hats. Perhaps you needed a short diversion.

Now that you have returned, you must open your eyes and remember your vastness and power. We wait for you to turn back to the whirling universe and the dimensional towers. We understand that once in an eon you may tire, closing your eyes again and sliding through a crack of memory. You may steal around to the back steps where she dropped a love letter she hadn’t expected you to find, and remember how it felt to furtively hold her as she traced the lines in your face. You were big then, too, with armies and entourages.

We agree: it would be a shame to forget your childhood. But you must remember that you are grown now. You have responsibilities; the towers grow cold without you.

***

Musical Inspirations: the entire Bat For Lashes album “Two Suns” and a very sad dream I had.  Bat for Lashes makes me think and feel at the same time.  Simple words, but it’s actually high praise for music, which tends to fall in one camp or the other.

Photo “Roman Marbles in the Prado” by Tasitch.


Dec 27 2010

New Design, new store

The new Otherworldly Music site design has been up for a few months, but I neglected to mention it or the new digital download store. Click the “Get the Music” link above to purchase MP3s all in one convenient spot. I’m still trying to figure out how I want to link to songs that don’t have digital distribution.

There is another sneaky aspect of this post: I’m testing the RSS feed. Leave a comment if you see this in your feed, ok? Everything should be fixed now that I’ve migrated to WordPress. I love you, WordPress.

Site design and maintenance all finished–now, I write! I’ve moved to California and have new strange and varied inspirations. The music scene out here is wonderful.

Photo “Fog on the Golden Gate Bridge” by Chris Willis.


Oct 12 2010

When We Were Rockstars

After a too-long night of pulsating bass and flashing strobes, I weave with Dan and Jason through grimy streets until we reach the dirty river, which is made clean by shadows and moonlight. The wind whips my torn chiffon dress and I perch on the pier’s edge. I recall a fourth-grade history class in which I ignored the teacher and drew a drop of water divided into small squares, each reflecting the same pencil squiggle. In clumsy cursive I wrote, “All the passages of time are packed into one small plane in the sky, the beginning, the end, before and after. We all live those horrifying and joyful times over and over for each second and split second. One person representing yourself in each moment is actually a very different person. The future for you is the distant past for another and you think you have one life, but you live forever, being born to dying. It lingers forever.”

(forgive a small girl’s grammar, for she had not yet assimilated into the crushing world of literature)

The boys talk about classic post-punk and the breeze shakes off the stench of a hundred cigarettes and everyone’s spilled cheap vodka. Dan’s studded leather jacket and the river’s waves catch the same fragment of moonlight. So cold at the river–which here in this arid land is really only a creek–flowing through a muffled stream of quiet timespace.

This is the end of something I can’t quite comprehend, like a tickle in my mind and a dragon nipping at my heels.

***
Music inspiration for this piece: Sonic Youth’s “JC.”  I showed this to someone and they wanted to know if I had really written that passage in the fourth grade. Yes, I did. I still have it. Also, the photo is courtesy of Susan Thomas, who probably shot this in 2005 or 2006. That’s me on the right, and Chris on the left.

Oct 11 2010

Oasis of Life

At the corner of 17th Avenue and Broadway, a young man built an oasis into his condominium.  The tall corner window stretches floor to ceiling and a red snapping turtle swims lazily, turning to watch  puzzled passersby.  I peek through the window and see wide fountains and  housebound pools.  Succulent plants  stretch over  stones gathered from creeks, bookcases, and a long-abandoned guitar.  Life explodes in there, its momentum propelling it  under the door frame and through the cracks in the caulking.  It  strikes neighbors and pedestrians  with the urge to stand still and quietly overflow.  Girls walk by, on cell phones and amphetamines.  They  stumble  in their animated conversations, never sure what has shaken them.

Musical Inspiration: A Shoreline DreamPeel You Open.  No real background to this story, except that I like the band.  They did a great song with Ulrich Schnauss, too.

Image “Brockhaus and Efron Encyclopedic Dictionary” from Wikimedia Commons.


Oct 11 2010

Red Rocks 20,000 A.D.

Red Rocks: 20,800 A.D.

Inich  crouched against the red monoliths and gazed into the empty enclosure.  It was pockmarked with millennia of use.  He’d heard once that the Dead Ones sang and danced in this enclosure.  Shortly after their arrival, his father had said that this collected and incomprehensible energy of “music” had called Inich’s people to this planet.  They knew it could be harnessed, but had not been able to touch it yet.

In the presence of three tribal elders, Inich had replied that the world could be arranged precisely and eaten with the heart, allowing anyone to touch the strange energy.

“So illogical!” The tribal elders’ words may have been admiring or depreciating.  To them, the bones and manuscripts of the Dead Ones were trifles in comparison to this world’s rich natural wonders.  Whoever they had been, they lost their inheritance and were now inconsequential.  When Inich wandered into their ruins of stone piles and metal beams, he occasionally found artifacts, but they rarely made sense.  He brought home certain stones and metal shards, arranging them on the floor.  His family watched his pursuits nervously, fascinated.  Inich frequently arranged things – words, clothing, food – in inexplicable ways that pleased him, rather than in the most efficient manner.  That’s when his father had spoken to the tribal elders, who seemed uncomfortable with the topic.  However, they explained that children manifested such behavior occasionally.  As long as they always displayed efficiency in public , no harm came from infrequent indulgence.  ”But efficiency comes first,” they cautioned, “not vague personal preference that cannot be justified.”

Inich understood.  His people had created a grand society capable of feats that lesser societies called “magic, and to uphold it, he must follow its rules.  He could do that.  But he came to the Red Rocks when he needed to explore or destroy his own rules.  At the Red Rocks, he felt for vibrations stored in objects, walls, and earth.

Inich was skilled at vibrational interpretation.  It was no magical act, just basic science of the mind.  But the ancient texts indicated that vibrational interpretation was different than “music.”  Music, he understood, drew up the heart into the mind and out through the mouth or the fingers.  It could produce tears with no discernible cause, and lift moods from low to high.  He had tried repeatedly, in solitude, to mix vibrations and produce mood alteration, but all he could do was create frustration at his own failure.  He took this as a small success.  After all, frustration was a mood.

Everyone knew that places held vibrations and the rocks held ages’ worth of music.  The healers could put their fingertips to an object and know who had it last, and which ailments that person suffered.  Easy.  Simple vibrational interpretation, something that every child could do at least a little.  Surely he could do the same here, dredging up the ancient songs and rhythms!  He pressed his palms and forehead against the rough red rock, but no song came.  He concentrated as the sun slowly crossed the sky, but he was not a gifted healer.  Such skills traveled through generations, and his mother had been a mathematician.

At noon, he didn’t bother to wipe away his tears but instead let them flow and mingle with the red dust.  Frustration again.  Was it really a small success, or a simple reaction to the stimulus of failure?  Inich was a skilled meditator and daily opened himself to emptiness and pureness of being.  He did not care for wilder states of mind, and so this outpour of grief and frustration seemed both novel and disturbing. He slumped against  the stones and tried to think, as orderly thought leads to calm behavior.  So he thought about the electrical conductivity of the water that rolled down his cheeks, and recalled that some of the Dead believed water carried other fluid energies.  They claimed that it carried the emotions, song, and visions.

He felt each tear travel down his face and pool in the hollow of his throat.  And with each tear, he heard something indescribable.  In his clear state of mind, each splash of water sent a shock of what could only be music coursing through his bones.  The vibration he knew, of course, but the notes as they were called, created shivers in his belly and tingled up his spine.  The tingling grew greater and more vivid, sending colors spinning into his vision.  He felt song explode from his throat as he tried to mimic words he’d never known before, and beneath the roaring waves of precisely-arranged sound, he sensed he was trying to express something too deep to quantify, something that the words only minimized.  Arranged just precisely, it communicated.  It immersed.  It filled his being.

And he knew he was dying as his brain and body struggled to process what they were not meant to enjoy, yet he didn’t care.  Couldn’t care, no more than one of the Dead could shield their eyes from their angels, only disintegrate in bliss.  With each note, the gray dust of his body mingled with the red dust of the monoliths.

The singer opened his eyes to the stars, fingers strumming his guitar, singing to the first song hunter.

***

Musical Inspiration: The Autumns – Pale Trembles a Gale (remix).  The Autumns are a fine California band, atmospheric, intelligent, and fully capable of rocking out.  Red Rocks refers to the Red Rocks Amphitheater in Morrison, Colorado, home of many wonderful concerts.  The photo is actually of Pike’s Peak, which is in the vicinity but not the same thing.  I just really loved that photo.

Photo “Sweet America” by Beverly and Pack


Oct 11 2010

An Abandoned Changeling

In Iowa, the fairies came out in spring, building temporary homes in melted snow pooled between half-buried tree roots, bordered by mud and moss. Walking home from school, I’d peer into tiny caves formed by icicles dripping into snow banks. Fairies glinted in these shadowy caves, but then I’d blink and see only snow crystals. As spring progressed and their homes dissolved, the fairies fled to the scarlet tulips and delicate lilies-of-the-valley lining the brick path to the vacant lot.

On a sunny May afternoon, Jenny and I held a fairy tea party. Leaves for plates, acorn tops for cups, and a feast of clover, sheep sorrel and chamomile. Afterward, we lay on our backs in the grassy vacant lot and closed our eyes in the sun, watching red and black pictures form on the insides of our eyelids.

“What do you see?” she asked.

“A witch. No … a genie. In a bottle. She has long red hair and is dancing slowly.”

“A genie like the one on Scooby Doo?”

“Kinda.” But her eyes were more slanted, and sometimes they were on the wrong part of her face. When she smiled, her teeth were sharp like a cat’s. “What do you see?” I rolled over. Jenny’s eyes were open and staring into the wan blue sky.

“God.”

“God?” I asked, puzzled. “What’s He doing?”

But she didn’t make sense after that. She only said parts of sentences, and then repeated herself under her breath. When I complained, she solemnly explained that the doctor called it “echolalia.” “I can’t help it. It’s hereditary,”she said, not missing a single syllable of these strange new words.

“What’s that mean?” I watched the lilies-of-the-valley swaying at the foot of the rock wall, the one we were supposed to stay away from because of the snakes there.

“It means Mommy does it, too.” She paused. “I’m not supposed to do it.”

…posed to do it,” she whispered again.

“Oh,” I said.

…oh.

In October, they sent her to a special school. When she came home to visit, I asked what she did there. “They make us sit in a room and draw things, and we’re supposed to talk, but I don’t know what to say.” She pulled on her braid and wrinkled her nose.

“Did you tell them you see God?” I asked. We were standing under the big sycamore tree in her yard, poking the tree roots with sticks, although the fairy pools had long dried.

She rolled her eyes and went back to scratching in the dirt. But we didn’t dig up any fairies, so we walked back to my house. When we got there, I peeked around the kitchen corner. My mom seldom had guests, but Jenny’s mom, skinny and wild-haired, rocked in my grandmother’s rocking chair, holding a steaming cup. My mother was quiet and wore a funny expression, like she wanted to say something nice but couldn’t think of anything.

“I tried to run away,” I heard Jenny’s mom say. But then they saw us and made us play upstairs so they could discuss grown-up things they thought we wouldn’t understand. So we trudged to my room and flopped down in front of the doll house. I picked up my Ken doll and turned to Jenny. “What was your Mom running away from?”

“My dad, I think,” Jenny said, brushing Barbie’s hair, even though it was actually Strawberry Shortcake’s comb.

“But why?”

“He made me touch his private parts.”

I walked Ken up the doll house stairs to the closet, where I made him take out a new coat and tennis shoes. I put the shoes on Ken. “Why did he do that?”

She shrugged, not looking at me. “It felt good, I guess.”

“Oh.” Ken walked back down to the kitchen and said hello to Skipper as he passed. He waved to Barbie, but Barbie was busy in Jenny’s beauty parlor.

…oh.”

“Are they going to send you away again?” I asked.

“...away again?” She set Barbie on the doll house sofa and stood up. “Probably. They always want to send me away somewhere.”

They did, and I did not see her again. These days, however, I prefer to think the fairies took her back.

***

Musical Inspiration: Playing in the background and inspiring my phrases was the elegant ambiance of Numina. I won’t pick a particular song since they’re all so intertwined. Check out Numina’s beautiful album “Symbiotic Spaces” to hear one of my favorite artists.

Photo “The Sad Fairy” by Lara Spencer


Oct 11 2010

Refuge

Mountain leaves and palindromes; the girl could not create one from the other. “I give up,” she said, bowing her head to the old man. “All my answers are wrong. I don’t know how they are alike.”

He grunted and shrugged. “Keep walking,” he told her, “and you’ll see.”  He quietly shut the door without even a final nod, and she knew it was useless to knock. The door would not open to her again.

She walked. No one missed her when she left.  As she walked she turned her scarred face in greeting to the clear sky, letting her village grew tiny behind her. Its bright noise dwindled; the children shouting, women chattering at the marketplace, and carts rolling over the stone roads all grew faint and then silent. The sun rose above her, and once she leaned against a cliff wall to eat a bit of potato from her provisions. Her fingers toyed with the small piece of chalk at the bottom of her bag. She straightened and withdrew the chalk, writing a poem on the rough rock as neatly as she could, as the ancient wild sages had done. She knew that time would dissolve it.  Like all things, it was vivid for a day, then fading back to sand and dust. It was a palindrome, in a way, riding the same path backwards and forwards.

The sun grew low on the horizon. She gathered meadow grass into a bed and started a small fire. Like the swipe of a sponge on watercolor, her sweat smeared the dirt on her hands. She imagined the droplets rolling down the mountains as she labored. Her old green coat stank now not with must, but with her unwashed scent and smoke.

She lay on her back, counting constellations and listening to the rushing stream.  Perhaps by now her mother had noticed her absence, but would say nothing to her father, who would not care about a missing daughter too ugly to marry off or sell. The moon and stars saw only the land below them, all creatures blending into the whole of the earth.

The fire warmed her and she let her eyes close. She knew she’d die in the coat she wore, but one battered green coat can hold many years in its pockets.

***
I found this little piece I wrote a couple of years ago and sadly, I don’t recall which song went with it. My new goal is to make it to August without anyone dying.  I could make a little grave yard here of all the people who have died on my blog.  I think that makes me a horrible, horrible murderer.  I will reform, I promise.

Photo “Takayama” by Katclay


Oct 11 2010

Coyote Spirits Got the Moonshine … Again

Thursday, 11 March 2010 20:18

I stumbled out of the sleeping porch, rubbing my eyes. Granny spoke before I could even say anything. “It’s them damned coyotes,” she said crankily. “Drinking the moonshine–the thieves!–and from the sounds of it, they got themselves some of the funny weed, too.”

She knew I already knew that. She knew I could see right into their skulls and out through their spirit eyes ever since I was a baby. And since there was no denying the racket of the coyotes, and because she hated my “it don’t come from Jesus!” talent, she pretended that I needed to be told. And I pretended along with her, because I knew it made her feel better.

I walked to the dark window and stood grinning with my back to her, watching the little transparent figures. They were cavorting, which was a new word I learned in school last week, and yipping. Through their eyes I could see explosive rainbows, shimmering cartoony-dogs chasing their own tails and rolling around on the ground, melting into each other. To them the dirt was a great big carpet of scents, like the prairie on overdrive with enormous rabbits and stupid, fat cows lying lazy and unprotected on the grass. Poor cows.

I stifled a giggle while I listened to the tinkling of Granny doing the dishes underneath the flickering bulb light. She humphed. Oops. I didn’t stifle enough. I quietly slipped the latch and walked into the backyard.

One of them noticed me and licked my nose with a flowering tongue, bright purple ears impossibly long. “I LIKE FOOD!” it said in sing-song, ears twisting around my shoulders. The others whooped in joy and echoed him, building a weirdly harmonious symphony of “I LIKE FOOD!” Their paws pounded out the same fast drumbeat, and their noses pointed into the wavering sky. “Food food food FOOD!”

I don’t know why but their silly songs and nonsense yelps made me think of Barney, the big purple dinosaur on kids’ TV. And of course because I thought of him, there he appeared in their midst. The coyotes froze for a second, and then resumed their dancing, and Barney jigged in time to their coyote symphony. Barney liked food, too, or so he claimed. The more they sang about food, the more food piled up around them. Kinda gross, really, since a lot of what coyotes eat is roadkill and dead things, and dinosaurs eat really big, funny-looking roadkill. But through their spirit eyes, it looked like the most delicious morsels, better than ice cream or fried chicken.

(What they think of my fried chicken is a story for another day)

“You stop that laughing!” said Granny shouted sternly through the screen door. “It ain’t funny!” But she stalked off into the living room. Of course it was funny. It was freakin’ hilarious. And I laughed so hard that the coyotes started laughing at my red, wet face and wide eyes and gasping guffaws.

I suppose I shouldn’t have encouraged them while they were “partaking in illegal substances,” as my teachers often said, but honestly, the Pope himself would have laughed himself straight to Hell if he saw this. And he wouldn’t care, probably. Nothing’s illegal to a coyote.

***

This is otherworldly music of the humorous sort. I love Animal Collective and especially the song that inspired it, “We Tigers.” They’ll be making other appearances on this site, I’m sure. This little Animal Collective \”We Tigers\” fan video amused me greatly.

Photo “Do Not Feed the Coyotes” by Adactio/Jeremy Keith.