Jun 14 2012

Bio-Elegance

The microbial children squealed delightedly as the otter submarine torpedoed through the river. Older members of the bacterial colony were perhaps more sedate, but no less enthused with the practiced tumbles and breakneck twirls of their new host. Most of them couldn’t recall when they’d last been on a pleasure cruise rather than a mission. The Colony Elders had mulled it carefully, eventually approving the expedition on grounds that the community had suffered so much recently from chemical ravages and fierce herbal destroyers. The war had been misery for all, but especially those who had faced the genocide of the xenophobic White Blood Cell Armies.

But the Colony had expected the fierce reaction of the WBCA and everyone, even the children, was prepared. They’d sacrificed individual after individual as part of the greater strategy of takeover, reproducing even when resources were low and morale flattened. All Colonials upheld the sacred mission of their Colony: No Waste. Each of them existed to use biological resources that would otherwise go to waste in senseless, foolish beasts. They were stewards of the natural world, and wanderers who would go wherever they were needed.

They’d won the battle called Martha, though she didn’t know it yet. As customary, they’d retreated momentarily out of respect for the defeated. The elders had performed the Division and Passing ceremoney but instead of the Eighty Days of Silence, the elders suggested a pleasure cruise to celebrate the impending end of the Long War of Martha Millenson.

The underwater world swished through the otter’s fur, brilliant blues and greens illuminated by the midday sun. The children shrieked to see massive fish mauled by the still more massive teeth of the otter, and the adults watched contentedly, enjoying the show of light and shape.

“Will we live here now?” asked a little one, hopeful and trembling.

“No, we’ll go back to Martha soon,” someone said.

“But I like the otter! And anyway, Martha hates us!”

“Why is that bad?” said an Elder. The child had no answer, and settled at the massive eye portal to watch and consider this. As every Colonial child learns eventually, first to its shame and then to its credit, hatred is a sign of a job well done and bio-matter elegantly used.

(Inspired by Robyn Hitchcock’s “I Often Dream of Trains”)

——

This was a pretty weird OWM, I admit.  I was thinking about being sick and what it might be like from the bacteria’s perspective.  I’m sure they don’t just sit around rubbing their pseudopods together in fervent delight at making me ill.  If they have a sense of purpose, what would it be?  Surely it would be more than “Woo-hoo, we be makin’ humans feel like crap!”

Poor Martha.  She can rest assured that if she keels over dead, at least the little bastards will be homeless again.

I’m actually not a fan of Robyn Hitchcock ordinarily, but this song has a strange otherworldly feel to it–the kind of feeling I associate with being feverish in a pleasant place.  The world is charming with flowers blooming outside your window or people swimming by on a shining summer day, and you’re wobbling on your feet and walking on the ocean floor.

Great little drawing, isn’t it?  It is by deviantARTist *J-C, who kindly let me use it.   I love otters.  Recently I saw one in the Monterey Bay, a mama sea otter swimming with her baby on her belly.

 


Oct 11 2010

The Stories of Harpies and Humanity

Thirty miles outside Crescent City, we ran out of gas. The van had been sputtering for the past 400 miles, anyway, and I recognized imminent engine failure. We stepped out, stretched, and wandered the edge of the forest for a bit, touching the huge tree stumps and staring at roadside litter and light poles, doing all those things that happen only when you’re in between places and suddenly struck motionless. These experiences aren’t cataloged in anyone’s “100 things to do before I die” list; you hurry through them so that you don’t have to hear the silence around you and your brain’s desperate, stupid chatter.

Then we waited for the harpies to descend. They had promised they’d never cease following us and would always search for our moment of vulnerability. I had laughed at the time, knowing them capable of only impotent fury and ridiculous swooping war dances, shaking their blood-stained feathers. But in a world where no one remained and reality was disintegrating at our feet, even comical rages were welcome. Maybe they’d finally found a way to suck our “maggot hearts through our defiled eyes.” I chuckled as I thought of that–their most recent threat–hurled to us between road signs in Ohio. Carmen had choked on her coffee when she heard that one.

She turned to me now as we watched the brilliant purple sky grow brighter. “I used to be afraid of dying,” she murmured, pulling her coat around her.

“And now dying just seems like another story told by someone who wasn’t you,” I replied. I didn’t need to look at her. “‘Poor Carmen. She was so beautiful with her raven black hair, and she died so tragically. Nothing but bloody bits fading away into homeless atoms.’”

“Why is black hair always compared to a raven? I mean, sewer rats are black, too.”

“Fine, then, her sewer-rat black hair fading away into a quantum void.”

“A void of tragedy!” she giggled.

“Yes, yes, a most tragic void!” I concurred.

She nodded approvingly. “What’s a human being, Rory? I think we’re just one story after another.”

I pondered this. “Yeah, and they used to call that ‘life.’ You know, back when there was a They.”

I suppose at this point, observers would have considered us mad and shell-shocked. You know, those hypothetical people forgetting their own stories for a moment so that they could immerse themselves in ours. I used to do that, embracing the illusion that I could shut off my own story for a few hours by watching TV, reading the celebrity gossip pages, or just listening to someone bitch about office politics. But our current gallows humor wasn’t madness. It was astute.

I twisted my scarf, the cool fog of the Pacific Northwest saturating me and giving the illusion that the world was disintegrating into mist. Except these days, you couldn’t really assume anything was illusion.

Carmen nudged me in the ribs. “I see them.”

I clapped my hands to my head. “Good God! They’ve caught the scent of our maggot hearts!”

And as the sky clouded not with water vapor but the writhing, hateful bodies of the harpies, Carmen and I clutched each other in laughter, even though we could see that the harpies had changed. No useless rage now, but instead they came with an arsenal for slicing, dicing and frying our fragile human skins and brains. Their tiny eyes gleamed from beneath their thick brows, claws dangling some poor creature’s entrails soon to be replaced with our own. Our surroundings disintegrated fully now as they landed, and our stories and our guts left our bodies.

It was all right. Someone’s always waking up with a new story in their head, anyway, reanimating a worn old tale into a modern-day marvel.

——————-

(Inspired by Empire of the Sun – We Are the People)

***

Musical Inspiration: Empire of the Sun! You have to see these guys, whose music inspired the piece above. They are now my official Happy Band. You will probably watch their videos and laugh … and then you realize you’ve watched the same video eight times in a row because it’s so damned awesome. Then you call your friends over to see the video, and they’re standing behind you going, “WTF is this?” But the next time you see them, guess what’s playing in their car?  The songs inevitably have pop sensibilities, and then the vocals soar in that silly but beautiful falsetto, and you realize it’s just as serious as it is ridiculous.  Hmm, like the little piece above.

Photo: Empire of the Sun website


Oct 6 2010

Cracks in the Sea Sky

Wednesday, 12 November 2008 20:22

When you’re shipwrecked and cannot die, the page of your book never turns. You live one endless day of saltwater, wind, and the veiny red behind closed eyelids. The water will not burn your tongue nor your guts, but neither will it stop the hollowing thirst. Breathe deeply and watch the flashes of fish under your wet fingers, because this is all you have.

And eventually, you realize that you can tear away the sea and sky. You see the grey void beneath the searing blue, and wisely choose to let the sky curl back into place, the sea slapping at your feet once more. “I will not remember that,” you say to the sea, and the words echo for a long time, maybe years, but maybe only seconds. It’s ok. You’ll remember again when the shadowy figures dart under your dangling feet. You’ll clutch your tattered raft and whisper, “It’s just a dream, wake up! Wake up!”

And you will. You’ll wake up to the void, the last churning of your stomach fading into incoherent particles, and you’ll turn right back to the open sea.

The sea is full of many dead things. You notice them when you cannot die.

***

Musical Inspiration: Sting‘s ”Something the Boy Said.”  Sting was brilliant when he was with The Police (and in David Lynch’s Dune) but I don’t like his solo stuff.  This song is an exception.  It’s so creepy, while still having that pleasant Sting-y electric piano sound.  Why did the people in the song die?  I imagine that Roman soldiers were going into Scotland in their initial invasions, and they were eaten by a moor monster.  What does a moor monster look like?  Here’s one person’s rendition: http://www.marvunapp.com/Appendix3/monstermoorsslade.htm.

Photo “Hole in the Sea Sky” by Elsie esq./Les Chatfield